![]() | ![]() | Highlights |
![]() | ![]() | ![]() | title |
![]() | ![]() | ![]() | live |
![]() | ![]() | ![]() | live_1 |
![]() | ![]() | ![]() | recorder |
![]() | ![]() | ![]() | master-slave recording |
![]() | ![]() | ![]() | oscilloscope |
![]() | ![]() | ![]() | sound & brain |
![]() | ![]() | ![]() | instant clustering |
![]() | ![]() | ![]() | additional features |
![]() | ![]() | ![]() | flexible frequency range |
![]() | ![]() | ![]() | improved similarity score |
![]() | ![]() | ![]() | 3D DVD maps |
![]() | ![]() | ![]() | improved database |
![]() | ![]() | ![]() | automatic authentication |
![]() | ![]() | ![]() | Excel interface |
![]() | ![]() | Chapter 1: An Overview of SAP2 |
![]() | ![]() | ![]() | Licence |
![]() | ![]() | ![]() | About SAP2 |
![]() | ![]() | ![]() | A bird view of Sound Analysis Pro 2 |
![]() | ![]() | Chapter 2: Installation |
![]() | ![]() | ![]() | hardware instalation: building training boxes |
![]() | ![]() | ![]() | hardware instalation: sound hardware |
![]() | ![]() | ![]() | hardware instalation: storage media |
![]() | ![]() | ![]() | Setting National Instrument Cards |
![]() | ![]() | ![]() | software instalation |
![]() | ![]() | ![]() | Setting Excel Access |
![]() | ![]() | Chapter 3: Spectral Analysis |
![]() | ![]() | ![]() | Introduction to Spectral Analysis |
![]() | ![]() | ![]() | Glossary of terms |
![]() | ![]() | ![]() | Spectral Derivatives |
![]() | ![]() | ![]() | Segmentation to syllable units |
![]() | ![]() | ![]() | Setting the spectral parameters |
![]() | ![]() | ![]() | frequency contours |
![]() | ![]() | Chapter 4. The Song Features |
![]() | ![]() | ![]() | Introduction |
![]() | ![]() | ![]() | Articulation based analysis |
![]() | ![]() | ![]() | Viewing the features |
![]() | ![]() | ![]() | amplitude |
![]() | ![]() | ![]() | mean frequency |
![]() | ![]() | ![]() | mean frequency amplitude |
![]() | ![]() | ![]() | pitch |
![]() | ![]() | ![]() | Goodness of pitch |
![]() | ![]() | ![]() | Wiener entropy |
![]() | ![]() | ![]() | Contour derived features |
![]() | ![]() | ![]() | Continuity over time |
![]() | ![]() | ![]() | Continuity over frequency |
![]() | ![]() | ![]() | Principal frequency |
![]() | ![]() | ![]() | Frequency modulation (derivatives estimate) |
![]() | ![]() | ![]() | Frequency modulation (contour slope estimate) |
![]() | ![]() | ![]() | Amplitude modulation |
![]() | ![]() | Chapter 5: Exploring the Song Features |
![]() | ![]() | ![]() | How feature are used in SAP2 |
![]() | ![]() | ![]() | Viewing feature summaries of individual syllables |
![]() | ![]() | ![]() | Exporting the feature distribution results to Excel |
![]() | ![]() | ![]() | Feature space |
![]() | ![]() | Chapter 6: Your Animals |
![]() | ![]() | ![]() | How SAP2 handles animal information |
![]() | ![]() | ![]() | Finding and Filtering Data |
![]() | ![]() | ![]() | Animal, Actions, and Action - |
![]() | ![]() | Chapter 7: The Sound Analysis Data Structure |
![]() | ![]() | ![]() | An introduction to the SAP2 database structure |
![]() | ![]() | ![]() | The wave files |
![]() | ![]() | ![]() | looking at the tables in mySQL Control Center |
![]() | ![]() | ![]() | the tables structure |
![]() | ![]() | ![]() | The Raw Features Table |
![]() | ![]() | ![]() | The File Table |
![]() | ![]() | ![]() | The Syllable Table |
![]() | ![]() | ![]() | The Bouts table |
![]() | ![]() | ![]() | The Similarity table |
![]() | ![]() | ![]() | The feature_scale table |
![]() | ![]() | ![]() | The Tasks table |
![]() | ![]() | ![]() | The settings table |
![]() | ![]() | ![]() | The Animals Table |
![]() | ![]() | ![]() | The Channels Table |
![]() | ![]() | ![]() | The Key-peck table |
![]() | ![]() | ![]() | The NIDAQ table |
![]() | ![]() | Chapter 8: MySQL in a Nutshell |
![]() | ![]() | ![]() | Why should you learn some Standard Query Language (SQL) |
![]() | ![]() | ![]() | How to practice this tutorial in MCC or in Matlab |
![]() | ![]() | ![]() | mySQL tutorial for SAP2 |
![]() | ![]() | ![]() | Advance usage of the SELECT keyword |
![]() | ![]() | ![]() | SELECT and CREATE tables |
![]() | ![]() | ![]() | Altering, cleaning and merging tables |
![]() | ![]() | ![]() | Exporting tables into Matlab |
![]() | ![]() | ![]() | About the MySQL database interface |
![]() | ![]() | Chapter 9: The SAP2 Recorder |
![]() | ![]() | ![]() | recorder features |
![]() | ![]() | ![]() | The Control Panel |
![]() | ![]() | ![]() | Display options |
![]() | ![]() | ![]() | Input Display |
![]() | ![]() | ![]() | Playbacks Control |
![]() | ![]() | ![]() | Setting the recorder: step 1 |
![]() | ![]() | ![]() | Setting the recorder: step 2 |
![]() | ![]() | ![]() | Setting the recorder: step 3 |
![]() | ![]() | ![]() | Setting the recorder: step 4 |
![]() | ![]() | ![]() | Setting the recorder: step 5 |
![]() | ![]() | ![]() | Step 6: setting playbacks |
![]() | ![]() | ![]() | Step 7: start recording & troubleshooting |
![]() | ![]() | ![]() | Calibrate thresholds |
![]() | ![]() | ![]() | Sound Feedback Control |
![]() | ![]() | ![]() | Setting Keys & other detectors |
![]() | ![]() | Chapter 10 A: Sound Processing Live |
![]() | ![]() | ![]() | Introduction to processing live |
![]() | ![]() | ![]() | the main window |
![]() | ![]() | ![]() | sound inpute and output |
![]() | ![]() | ![]() | Animals & Tables |
![]() | ![]() | ![]() | The main controls |
![]() | ![]() | ![]() | Saving the data |
![]() | ![]() | ![]() | Singing around the clock |
![]() | ![]() | ![]() | Performance control |
![]() | ![]() | Chapter 10 B: Sound & Brain Live |
![]() | ![]() | ![]() | Introduction to Sound & Brain |
![]() | ![]() | Chapter 11: Features batch |
![]() | ![]() | ![]() | about the features batch |
![]() | ![]() | ![]() | Batch Setting step 1 |
![]() | ![]() | ![]() | Batch Setting step 2 |
![]() | ![]() | ![]() | Batch Setting step 3 |
![]() | ![]() | ![]() | Batch Setting step 4 |
![]() | ![]() | ![]() | Batch Setting step 5 |
![]() | ![]() | ![]() | Batch Setting step 6 |
![]() | ![]() | ![]() | Batch Setting step 7 |
![]() | ![]() | ![]() | Running the batch |
![]() | ![]() | Chapter 12: Similarities, Measurements & Batch |
![]() | ![]() | ![]() | Introduction |
![]() | ![]() | ![]() | The metric system |
![]() | ![]() | ![]() | Asymmetric comparisons |
![]() | ![]() | ![]() | Asymmetric score -- an example |
![]() | ![]() | ![]() | Symmetric comparisons |
![]() | ![]() | ![]() | time course versus mean values |
![]() | ![]() | ![]() | Exploring similarity across features |
![]() | ![]() | ![]() | Self-similarity test |
![]() | ![]() | ![]() | Comparing related and unrelcated songs |
![]() | ![]() | ![]() | segmented comparisons |
![]() | ![]() | ![]() | Interpreting the similarity score |
![]() | ![]() | ![]() | Period of repetition |
![]() | ![]() | ![]() | state transitions |
![]() | ![]() | ![]() | Similarity batch |
![]() | ![]() | ![]() | Batch modes: Pairs and MxN modes |
![]() | ![]() | ![]() | Batch cluster target mode |
![]() | ![]() | ![]() | Batch table 1 x table 2 mode |
![]() | ![]() | Chapter 13: Dynamic Vocal Development (DVD) maps |
![]() | ![]() | ![]() | Introduction to DVD maps |
![]() | ![]() | ![]() | 1D developmental histograms |
![]() | ![]() | ![]() | 2D DVD maps |
![]() | ![]() | ![]() | Cummulative DVD images |
![]() | ![]() | ![]() | Syntax DVD maps |
![]() | ![]() | ![]() | Syn-Song DVD maps |
![]() | ![]() | ![]() | 3D DVD map |
![]() | ![]() | ![]() | Raw features DVD maps |
![]() | ![]() | Chapter 14: Clustering syllables |
![]() | ![]() | Introduction to clustering |
![]() | ![]() | Step by step clustering |
![]() | ![]() | Correcting errors |
![]() | ![]() | Exhaustive clustering |